An Critical analysis of the poetic elements within the little

An Critical analysis of the poetic elements within the little-studied Essay Donnas expert manipulation of each literary technique, making each literary element work to its least potential in conveying his underlying theme, is what defines The Sun Rising as such a splendid bolt of cloth and an admirable work of literature. The literary elements Done utilizes to achieve these means are expressive use of imagery, artful incorporation of important themes which heighten the intensity of the poem, and brilliant manipulation of the sound devices that create the flowing mood within the poem, ranging from terse to euphoric. Busy old fool, unruly Sun, Why dost thou thus, Through windows, and through curtains, call on us? Must to thy motions lovers seasons run? Saucy pedantic wretch, go chide Late school-boys and sour prenticed, Go tell court-huntsmen that the king will ride, Call country ants to harvest offices; Love, all alike, no season knows nor clime, Nor hours, days, months, which are the rags of time. Thy beams so reverend, and strong Why should thou think? I could eclipse and cloud them with a wink, But that I would not lose her sight so long. If her eyes have not blinded thin, Look, and to-morrow late tell me, Whether both the Indians of spice and mine Be where thou lefts them, or lie here with me. Ask for those kings whom thou straws yesterday, And ho shall hear, All here in one bed lay. Shes all states, and all princes I; Nothing else is; Princes do but play us; compared to this, All humors mimic, all wealth alchemy. Thou, Sun, art half as happy as we, In that the worlds contracted thus; Thin age asks ease, and since thy duties be To warm the world, thats done in warming us. Shine here to us, and thou art everywhere; This bed thy center is, these walls thy sphere Donnas primary strategy for making The Sun Rising a powerful, effective poem is through incorporation of powerful, vivid imagery that draws the reader into the mom, offering a glimpse of Donnas thoughts. Donnas foremost image in The Sun Rising is the sun as a nosy busy old fool who nettles in romantic relationships (Bloom 16). Done is clearly upset at the sun for its rude interruption of Done and his wife, as evidenced by his statement in lines one through three of the poem: Busy old fool, unruly Sun, why dost thou thus, through windows, and through curtains, call on us? The image Done uses, comparing the sun to a nosy old bat, draws the reader to Donnas side in his argument against the sun. This occurs wrought the reader identifying with Done in his protests against the sun, as almost no reader can truthfully state that there has never been an instance in which they did not want to get out bed after being awakened prematurely. Bloom endorses this analysis in his summation of Donnas image as the sun is reduced to a large cosmic alarm clock, calling the poet back to the daylight world of education, business, and politics; its task no more than to chide late schools oboes, and swore prenticed (5-6) (27). Blooms reference to lines 5 and 6 of the poem refers to Donnas ext descriptor of the sun. The second image Done utilizes is the sun as an overly formalistic, inordinately precise being who scolds late school-boys and sour prenticed (6). Donnas choice of diction, in this instance, is responsible for the vividness of the image. A third significant image evident in the poem is Donnas acceptance and welcome of the sun into his bed, This bed thy center is, these walls thy sphere (30). This image signals Donnas submission to the sun, Juxtaposed with his initial anger at the sun in the beginning of the poem. This Juxtaposition is clear evidence of movement from one point of view to another, otherwise known as a resolution, and its incorporation into The Sun Rising signifies Donnas peace- making with the sun. A Brief On Paul Czanne EssayFurther testimony to Done as a poet is the fact that the sound in Donnas poetry not only echoes the sense in part communicates the emotion. The fact that people are better able to diet the meaning and emotion of spoken word as opposed to reading words from a is widely accepted, and illustrates Donnas poetic skill, as he weaves the emotion attempts to convey into the sound of his poetry. Donnas primary means of accomplishing this intricate and formidable task is through manipulation of the rhythm of The Sun Rising. Done is able to manipulate the rhythm of the Poe putting the rhyme scheme in a specific order. The rhyme scheme of The Sun R is BACKSIDE. The rhyme scheme of the poem directly affects the speed and cadence with which the poem is read. By rhyming the ending words in each Ii a particular scheme, Done gives the poem a specific flow. The flow of the pop of The Sun Rising possesses a quick tense quality, and gives the poem a chi feel. Its texture i s sinewy and often irregular. It is not smooth verse, but it is e and musical. However, the closing lines of The Sun Rising possess a sense of tranquility and sensuousness (The Poetry of Done 3). Additionally, John Don manipulates the sound devices by placing words that are critical to the message the poem in positions that correspond with a phonetic stress in the meter. D In example, Done places the words: bed, center, walls and sphere in line 30 tactically so that they fall under a vocal stress in the meter, which coincides wit fact that these words are most critical to understanding the message of line 30. Additionally: Done uses meter and intricate syntactical arrangements to convey the superiority of the love portrayed in The Sun Rising. He employs an uneven syllable count in his lines by varying his line length from short, pithy lines with four syllables to longer iambic pentameter lines. His manipulations of the syllable count allow Done to operate with different levels of stress and syntactical arrangement. The terse four- syllable lines create a forceful tension in each stanza. Daley 2) In conclusion, Grievers exquisitely summarizes The Sun Rising in his statement: In Donnas poem one feels the quickening of the brain, the vision extending its range, the passion gathering sweep with the expanding rhythms, and from the mind thus heated and inspired emerges, not a cry that might stay its course, but a clearer consciousness of the eternal significance of love, not love that aspires after the unattainable, but the love that unites contented hearts (32).